{"id":2995,"date":"2025-04-25T16:21:35","date_gmt":"2025-04-25T14:21:35","guid":{"rendered":"https:\/\/blogs.sun.ac.za\/bibnuus\/?p=2995"},"modified":"2025-04-25T16:21:35","modified_gmt":"2025-04-25T14:21:35","slug":"exploring-innovation-and-immersive-learning-technologies-insights-from-the-step-visit-to-liverpool","status":"publish","type":"post","link":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/2025\/04\/25\/exploring-innovation-and-immersive-learning-technologies-insights-from-the-step-visit-to-liverpool\/","title":{"rendered":"Exploring Innovation and Immersive Learning Technologies: Insights from the StEP Visit to Liverpool"},"content":{"rendered":"<p>Norman Hebler participated in StEP2023\/2024, from 24 to 28 June, 2024 which offered various opportunities for the professional development of Library staff to improve the skills needed for their current roles and future development by visiting and\/or collaborating with other academic or research libraries locally, nationally and internationally. Norman visited Liverpool John Moores University (UK), focusing on the institution\u2019s AI initiatives.<\/p>\n<div id='gallery-1' class='gallery galleryid-2995 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blogs.sun.ac.za\/bibnuus\/en\/2025\/04\/25\/exploring-innovation-and-immersive-learning-technologies-insights-from-the-step-visit-to-liverpool\/picture1-3\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"161\" src=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture1-300x161.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-2998\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture1-300x161.png 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture1.png 308w\" sizes=\"auto, 100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2998'>\n\t\t\t\tUsing an Artec Spider ($24000) to do facial scanning.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blogs.sun.ac.za\/bibnuus\/en\/2025\/04\/25\/exploring-innovation-and-immersive-learning-technologies-insights-from-the-step-visit-to-liverpool\/picture2-3\/'><img loading=\"lazy\" decoding=\"async\" width=\"263\" height=\"164\" src=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture2-1.png\" class=\"attachment-medium size-medium\" alt=\"\" sizes=\"auto, 100vw\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><strong>Building a Future-Ready Face Database<\/strong><\/p>\n<p>The visit began with a deep dive into facial scanning technologies at LJMU\u2019s acclaimed FaceLab. Central to this experience was understanding the comparative advantages of high-end 3D scanners (such as the Artec Spider) and more accessible tools like iPads and DSLR-based photogrammetry setups. Key challenges included scanning reflective surfaces and facial hair, making subject preparation crucial.<\/p>\n<p>Unreal Engine&#8217;s MetaHuman tool, though limited in forensic accuracy, was flagged for its potential in visualizing historical figures. Most notably, the importance of standardisation, participant comfort, and blending cost-effective technologies emerged as foundational principles for the Stellenbosch Face Database (SFD) project.<\/p>\n<div id='gallery-2' class='gallery galleryid-2995 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blogs.sun.ac.za\/bibnuus\/en\/2025\/04\/25\/exploring-innovation-and-immersive-learning-technologies-insights-from-the-step-visit-to-liverpool\/picture3-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"168\" src=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture3-300x168.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-3007\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture3-300x168.png 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture3.png 401w\" sizes=\"auto, 100vw\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-3007'>\n\t\t\t\tUsing an iPad Pro ($999) and subscription software ($49.99) to do facial scanning.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blogs.sun.ac.za\/bibnuus\/en\/2025\/04\/25\/exploring-innovation-and-immersive-learning-technologies-insights-from-the-step-visit-to-liverpool\/picture4-3\/'><img loading=\"lazy\" decoding=\"async\" width=\"161\" height=\"224\" src=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture4-1.png\" class=\"attachment-medium size-medium\" alt=\"\" sizes=\"auto, 100vw\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><strong>Immersive Learning in Health Sciences<\/strong><\/p>\n<p>LJMU\u2019s Faculty of Health demonstrated how 360-degree cameras can revolutionie medical training by capturing realistic scenarios\u2014like cardiac arrest responses\u2014without relying on expensive simulation software. Technical considerations such as optimal video length (under 10 minutes) and 5K resolution ensure usability without causing discomfort.<\/p>\n<figure id=\"attachment_3016\" aria-describedby=\"caption-attachment-3016\" style=\"width: 455px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3016 size-full\" style=\"font-weight: bold;color: #666666;font-size: 0.8125rem;font-style: italic\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture6.png\" alt=\"\" width=\"455\" height=\"242\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture6.png 455w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture6-300x160.png 300w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><figcaption id=\"caption-attachment-3016\" class=\"wp-caption-text\">Medical staff working on a cardiac case while being filmed in 360.<\/figcaption><\/figure>\n<p><span style=\"font-size: 1rem\">Crucially, the faculty emphasized ethical content creation, securing approval for real-life filming and conducting quality checks on video and sound. A phased approach to technology adoption, beginning with low-cost options and showcasing results on platforms like Instagram, was highlighted as a successful strategy for academic engagement.<\/span><\/p>\n<p><strong>Strategic Tech Selection: Less Can Be More<\/strong><\/p>\n<p>Through various examples, Hebler learnt that expensive technologies with low demand often underperform. Instead, adaptable solutions like mobile VR headsets and immersive rooms developed by companies such as Igloo Vision proved to be more sustainable.<\/p>\n<figure id=\"attachment_3019\" aria-describedby=\"caption-attachment-3019\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3019 size-large\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture7-1024x478.jpg\" alt=\"\" width=\"525\" height=\"245\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture7-1024x478.jpg 1024w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture7-300x140.jpg 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture7-768x359.jpg 768w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture7.jpg 1359w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-3019\" class=\"wp-caption-text\">Unity developer station with some of the 30 VR headsets.<\/figcaption><\/figure>\n<p><strong>Power of Storytelling and AI in VR<\/strong><\/p>\n<p>At the Liverpool Screen School, storytelling was positioned as the heart of meaningful VR content. Training in tools like Unity and Unreal Engine was supplemented by creative AI applications for animation, generative voice, and image enhancement\u2014tools that lower the technical barriers for students and staff alike.<\/p>\n<p>Affordable devices like Insta360 cameras were preferred over bulky, outdated tech, emphasizing ease of use, scalability, and staying current with rapidly evolving technology.<\/p>\n<figure id=\"attachment_3022\" aria-describedby=\"caption-attachment-3022\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3022\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture8-1024x478.jpg\" alt=\"\" width=\"525\" height=\"245\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture8-1024x478.jpg 1024w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture8-300x140.jpg 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture8-768x359.jpg 768w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture8.jpg 1374w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-3022\" class=\"wp-caption-text\">One of the filmmakers setting up a high end 360 camera to produce Racing the King Tide (Philippines islands).<\/figcaption><\/figure>\n<p><strong>Enhancing Forensic Training Through Immersive Crime Scenes<\/strong><\/p>\n<p>The university\u2019s crime scene simulation labs showcased the power of tactile learning. Rather than relying solely on VR\u2014which can be inaccessible for some\u2014educators constructed physical scenes with 3D-printed props and realistic layouts using minimal resources.<\/p>\n<figure id=\"attachment_3025\" aria-describedby=\"caption-attachment-3025\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3025\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture10-1024x479.jpg\" alt=\"\" width=\"525\" height=\"246\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture10-1024x479.jpg 1024w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture10-300x140.jpg 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture10-768x359.jpg 768w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture10.jpg 1125w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-3025\" class=\"wp-caption-text\">One of the rooms used for setting up crime scenes<\/figcaption><\/figure>\n<p><strong>Immersive Classrooms in Engineering<\/strong><\/p>\n<p>The immersive room at LJMU\u2019s engineering faculty featured floor-to-ceiling projections, interactive touch walls, and a built-in content library\u2014all delivered without a subscription model. The flexibility to use original or preloaded content allowed for continuous refinement based on student needs.<\/p>\n<figure id=\"attachment_3028\" aria-describedby=\"caption-attachment-3028\" style=\"width: 1023px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3028\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture11.jpg\" alt=\"\" width=\"1023\" height=\"478\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture11.jpg 1023w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture11-300x140.jpg 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture11-768x359.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-3028\" class=\"wp-caption-text\">One touching the walls, stars would follow your hands.<\/figcaption><\/figure>\n<p><strong>Curating Immersive Exhibitions<\/strong><\/p>\n<p>Hebler\u2019s visits to the Bees: A Story of Survival exhibition and Beyond Van Gogh demonstrated how multisensory design\u2014sound, light, and interactive visuals\u2014can emotionally connect audiences with educational content. These exhibitions proved that powerful storytelling and spatial design often matter more than expensive hardware.<\/p>\n<figure id=\"attachment_3031\" aria-describedby=\"caption-attachment-3031\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3031 size-large\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture12-1024x577.jpg\" alt=\"\" width=\"525\" height=\"296\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture12-1024x577.jpg 1024w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture12-300x169.jpg 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture12-768x433.jpg 768w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture12.jpg 1129w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-3031\" class=\"wp-caption-text\">Visitors experiencing the immersive exhibition<\/figcaption><\/figure>\n<p><strong>Makerspaces as Engines of Innovation<\/strong><\/p>\n<p>At both LJMU\u2019s Fab Lab and a community makerspace (DoEs), the emphasis was on balancing high-tech resources with practical use. Whether printing with biodegradable PLA or creating moulds using vacuum formers, the facilities prioritised accessibility, sustainability, and training. Makerspaces encouraged experimentation while ensuring user safety through structured inductions and responsible equipment management..<\/p>\n<figure id=\"attachment_3034\" aria-describedby=\"caption-attachment-3034\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3034 size-large\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture13-1024x479.jpg\" alt=\"\" width=\"525\" height=\"246\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture13-1024x479.jpg 1024w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture13-300x140.jpg 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture13-768x359.jpg 768w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture13.jpg 1052w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-3034\" class=\"wp-caption-text\">Large FormLabs Resin 3D printer costing \u00a325000.<\/figcaption><\/figure>\n<p><strong>Libraries Reimagined: Tech Hubs for Learning<\/strong><\/p>\n<p>Finally, the LJMU Student Union Library showcased an evolved library model. High-spec PCs, 3D printing, loanable VR headsets, podcast studios, and take-home electronic kits were integrated into one digital learning space. While usage varied, the availability of up-to-date tools demonstrated a commitment to providing equitable access to educational technology.<\/p>\n<figure id=\"attachment_3049\" aria-describedby=\"caption-attachment-3049\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3049 size-large\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture15-1-1024x478.jpg\" alt=\"\" width=\"525\" height=\"245\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture15-1-1024x478.jpg 1024w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture15-1-300x140.jpg 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture15-1-768x359.jpg 768w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture15-1.jpg 1049w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-3049\" class=\"wp-caption-text\">Digital Studio Library Services.<\/figcaption><\/figure>\n<figure id=\"attachment_3040\" aria-describedby=\"caption-attachment-3040\" style=\"width: 965px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3040 size-full\" style=\"font-weight: bold;color: #666666;font-size: 0.8125rem;font-style: italic\" src=\"http:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture16.jpg\" alt=\"\" width=\"965\" height=\"451\" srcset=\"https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture16.jpg 965w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture16-300x140.jpg 300w, https:\/\/blogs.sun.ac.za\/bibnuus\/files\/2025\/04\/Picture16-768x359.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-3040\" class=\"wp-caption-text\">Loanable VR Headsets.<\/figcaption><\/figure>\n<p><strong style=\"color: #333333;font-size: 1rem\">Final Thoughts<\/strong>From forensic science to fine art, the insights gathered during this visit offer a roadmap for building more immersive, accessible, and innovative academic experiences. By strategically choosing scalable technologies, emphasizing storytelling and ethics, and promoting hands-on learning, institutions like Stellenbosch University can lead the way in 21st-century education.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Theresa Schoeman and\u00a0<\/em><em>Norman Hebler <\/em><\/p>\n<p>For more information or enquiries, please visit https:\/\/libguides.sun.ac.za\/makerspace\/home<\/p>","protected":false},"excerpt":{"rendered":"<p>Norman Hebler participated in StEP2023\/2024, from 24 to 28 June, 2024 which offered various opportunities for the professional development of Library staff to improve the skills needed for their current roles and future development by visiting and\/or collaborating with other academic or research libraries locally, nationally and internationally. Norman visited Liverpool John Moores University (UK), &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/2025\/04\/25\/exploring-innovation-and-immersive-learning-technologies-insights-from-the-step-visit-to-liverpool\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Exploring Innovation and Immersive Learning Technologies: Insights from the StEP Visit to Liverpool&#8221;<\/span><\/a><\/p>\n","protected":false},"author":13406,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2995","post","type-post","status-publish","format-gallery","hentry","category-uncategorized","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/posts\/2995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/users\/13406"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/comments?post=2995"}],"version-history":[{"count":3,"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/posts\/2995\/revisions"}],"predecessor-version":[{"id":3052,"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/posts\/2995\/revisions\/3052"}],"wp:attachment":[{"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/media?parent=2995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/categories?post=2995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.sun.ac.za\/bibnuus\/en\/wp-json\/wp\/v2\/tags?post=2995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}